Greetings!
My name is Madeline Gere. I am a Smithsonian Associate, and own
a
small art gallery in Nashville. Folk art is my passion and area of
expertise. I am thrilled to have been made aware of this new genre
of
self taught art. Many of you may be thrilled to know that the
Institution sees what you are doing as an important new folk art
movement. We are interested in collecting and preserving some of the
art and artifacts from this nascent period of American letterboxing.
Next month will be the five year anniversary of our magazine's
article on letterboxing in Dartmoor, England. A few months ago, we
became aware that the article had precipitated an American version of
letterboxing. As you know, we contacted one of your members, who
goes
by the name Legerdemaine, and the Smithsonian letterbox project was
initiated. Legerdemaine brought some of his work to the Smithsonian
and showed it to us, and encouraged us to make a broader collection
of
the works being done. I'm pleased to say that we have decided to do
this. I have been asked by the curator to oversee this collection
process.
I have spent some time perusing the Letterboxing.org website, as
well as other letterboxing websites affiliated with the Letterboxing
Web Ring. I am excited by the vitality and breadth of your growing
community. I'd like to work with this group to identify, collect,
and
preserve a good cross representation of the work being done. At this
time, the Institution has no plans for a display of this material,
but
this may well happen at some time in the future. We feel that it
would
be expedient to collect and preserve this work before it disappears.
Subsequent additions to our collection may be made as time goes on.
The first step in the process is to identify the important work
that has been done to date. I'd like the help of this community in
doing this, as it will be impossible for me to evaluate several
thousand letterboxes. Could you work together to come up with a
list
of fifty to one hundred of your best works? The best fifteen to
twenty
from these will be selected to include in our collection. The
emphasis of the collection is on physical items that can be
displayed,
so we are most interested in the stamp artwork, journal, and
container. The clues will have less weight, but artful clues are
part
of the ideal package. Please do not include stamps that do not have
original artwork (from a source such as clip art) even if they are
well
executed. All items donated will become property of the Institution,
so
please include only those items which people are willing to donate.
I look forward to working with this group to collect and
preserve
its heritage. Unfortunately, I do not have time to correspond
directly
with all the members of a group this size. I've never worked with an
internet based group such as this before (nor one so large), and I'd
like to proceed by having the group self-identify what it believes to
be a representation of its best work for the Institution to make a
final selection from. We would like for this collection to be a
broad
representation, and therefore we will not include more than three
works
by any individual in our final selection.
Finally, I'm sure that most of you are aware by now that the
letterbox set up for us in the Castle by Legerdemaine has
unfortunately
disappeared. As much as we were enamored with this concept, it is
apparent that such a letterbox cannot be safeguarded. Given our
connection with this activity, and the popularity of this letterbox,
we
would like to have an official letterbox for visitors to stamp in. It
will now be kept behind the information desk and will be available to
those who know to ask for it, but it will not leave the information
desk. It will not be part of the collection. We have asked
Legerdemaine to make another one, but he has suggested that we
should
have a design competition to allow everyone to have a chance at it.
I
have decided to leave this in up to you, and Legerdemaine has agreed
to
coordinate the contest and supervise the selection of an official
stamp
from within the group.
I look forward to working with you and learning about your art.
Cordially,
Madeline Gere
Chanticleer Gallery
http://chanticleergallery.com
1403 Caper Road
Nashville, TN 37206
(615) 242-6704
madelinegere@c...
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